![]() Here are the 24 Best Kung Fu Movies Of All Time. Kirk Wong, as Twin Dragon's crazed killer. ![]() When was the last time you saw a great movie? Better question, when was the last time you heard of a Kung Fu movie coming out? It’s been a minute, right? Sometimes we have to go back to what we know. If this list makes you want to search on Netflix for a good Kung Fu movie, then we have done our part. 104 JACKIE CHAN: touch: everything he directs does well at the box office,'. Masters of kung fu tend to be reluctant fighters because they know violence usually begets more of the same. Grounded in the pacifist, naturalist worldview of Buddhism, it requires discipline, patience and most of all, strength-mentally, to know when to use it, and physically, to act effectively when the time comes. Kung fu is a very specific form of violence. ![]() And Jackie Chan is the comedian-a man who gets laughs first for his gleeful goofiness, then out of disbelief for the batshit stunts he completes. Jet Li is the empty vessel-a man with a blandly benevolent personality, but who moves with unrivaled grace and power. Bruce Lee is the ideal-a man with equal parts intense charisma and blindingly quick movies. Starting in the 1970s and continuing steadily onwards, kung fu has remained an international cinematic interest, giving rise to three main stars. It takes patience to become a master of anything. The comedy of this film is what makes it worth watching. It actually starts with “jacket on, jacket off.” Kung Fu is about dedication and hard work. Twin Dragons is a comedy from the 90s starring Jackie Chan - playing both twin brothers who. Times guidelines: The violence is familiar to preteen moviegoers, blood is kept to a minimum the sex talk is mild.If you are a fan of Kung Fu movies, you know that it doesn’t start with high kicks and karate chops. * MPAA rating: PG-13, for some shootings, nonstop martial arts action violence and sensuality. ![]() (Even the wrenches and the trunk doors take on personalities!) That this stuff is done on a more modest scale than America’s noisier, gaudier action machines only increases its efficiency as mindless escape. The climactic sequence, set in a car-testing facility, would be useful to any movie-maker of any cultural or commercial aspiration who wants to know how to make creative use of every object on the set. In the tradition of the movies’ great circus performers, Chan gives people what they want and throws in a few unexpected curves when he feels the freshness fading. Legend of the Dragon Double Dragon 7:30am Jackie Chan Adventures 8:00am Digimon Goliath 8:30am Mighty Morphin Power Rangers 9:00am Power Rangers S.P.D. But for the most part, he keeps things moving too fast for you to let the limitations sink in. Some of the sight gags drag too long (the hotel bathtub, for example) and bang too hard (the whole concert sequence). It’s all an excuse for Chan to do what he does best: perform all manner of prestidigitation with whatever his body or his environment will allow. Grimace at the deus ex machina all you want. Through wacky complications orchestrated just shy of banality by co-directors Tsui Hark and Ringo Lam, the brothers end up switching roles, with the shy, refined Ma smashing through police barricades and the swaggering, unpolished Boomer conducting a full symphony orchestra as if he were performing aerobics. One brother, lost in the battle, is raised on the streets while the other becomes an internationally renowned classical musician.įate (of course) brings them together 30 years later as John Ma (Chan) returns to Hong Kong to conduct a prestigious concert while Boomer (Chan), a garage mechanic who grabs extra money racing cars, is forced to save his friend from gangsters by driving the car that will help spring the same gangster who caused their separation. Twin brothers are barely out of the womb before they’re split apart by a firefight between the whole Hong Kong police force and a vicious gangster. It’s a standard-issue Jackie Chan product-which means that you won’t have time to cringe at the corny jokes and campy acting before some snazzy physical exertion comes along to sustain your interest. Jackie Chan has “Twin Dragons.” Who’d have guessed that what Patty Lane would no doubt have dubbed “the doppelganger bit” still has legs?Īnd legs, comprising a principal implement in the Jackie Chan universe, fly, slash and scissor-kick all over this tongue-in-cheek meringue of mistaken identity and whimsical mayhem. Mark Twain had his “Prince and the Pauper.” Elvis Presley had his “Double Trouble.” Patty Duke had her sitcom.
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